A couple of weeks ago, I posted a pre-review review of Iris Krasnow's book The Secret Lives of Wives (Gotham, 2011). From those notes, it should be clear to you that I had major issues with the book -- and to be fair, I expected to have major issues with any book by someone whose previous books were titled Surrendering to Marriage and Surrendering to Motherhood. Sometimes, you can judge a book by its cover. Or at least, the choice of language by which it is marketed. The breathless wording of the title ("secret lives" and "what it really takes"), along with the temptation-of-Eve cover we're rocking here, signaled to me we were in for a rocky ride.
And to be honest, that's part of the reason why I requested the advance review copy of the book. Because on some level I'm fascinated by people who continue to buy into -- and actually seem satisfied with -- the heteronormative, gender essentialist assumptions about what it means to be men and women, relate sexually, and form families. I didn't grow up in a household where gender normativity was enforced, and while my parents have enjoyed a 35-year marriage -- which at times took a lot of active work to maintain -- they have never pressured us kids into partnerships, marriage, or parenthood, hetero or otherwise. So I just don't get the concern trolling over kids-these-days being somehow unfit and unable to establish intimate partnerships.
Part of me hoped that Secret Lives would offer really interesting first-person narratives about long-term partnerships. I'm an oral historian by training, after all, and even when autobiographical narratives turn on values I strongly disagree with I still find life stories an absorbing read. And a preliminary glance at Krasnow's website also suggested that at least some of the "secrets" to a successful marriage were going to be fairly benign: maintain strong relationships with male and female friends outside the marriage, don't expect your spouse to meet every emotional need, make space and time for being alone or pursuing independent projects. Who's really going to argue with those fairly basic pieces of advice for well-being? So while I went into this book with the expectation that there would be much to disagree with, I was also prepared to find something -- anything! -- redeeming in its pages.
Wow, that was hard. As my preliminary notes suggest, the "points for" list I started in the front cover was quickly overtaken by the "no points for" list. But I'm going to lay into this book fairly hard in a minute, so let me begin by observing what I felt Krasnow did -- if not "well" at least "decently." She situates herself in the introduction as a curious journalist, not a sociologist or psychologist, and (at least initially) acknowledges the anecdotal nature of her research. She later goes on to consistently generalize from that research, but we'll deal with that below. In so many words, she acknowledges this is a book about heterosexual couples, though doesn't talk about her reasons for limiting the study in this way. The fact it's all about wives rather than husbands and wives is something that is never specifically addressed, though I think it's tied to the fact Krasnow sees women as primarily responsible for securing and maintaining a marriage (more below).
She does acknowledge that there is no one-size-fits-all formula for marital happiness, writing that "there is no gold standard for marriage," although I think her later arguments undermine this initial claim. As I said above, she is fairly consistent in maintaining that individual people are responsible for determining -- and seeking out -- what will help them thrive (in other words, don't expect a husband to equal instant happiness). She argues for the importance of maintaining adult friendships outside long-term partnerships, and she encourages wives to maintain independent lives through work, travel, exercise, and other activities that will take them out of domestic life. Basically, "It's okay to do things without your husband sometimes." Which I think is pretty sane advice for partners of any persuasion (and I'm not sure it really counts as a "secret" given the number of people who know and agree with it).
And I realize this is a super-low bar, but I'm going to offer her maybe half a point for at least acknowledging the existence of women in hetero marriages who don't have children with their partners, couples who aren't white, and couples who aren't upper-middle-class. With the exception of ethnic diversity (which isn't really clearly delineated, though one woman is identified as African-American and one Bengali) there's one example of non-parenting, and one example of a non-professional-class couple. Other than that, we're basically talking about white upper-middle-class wives with children, most of whom have advanced degrees and are married to individuals similarly situated. Couples with the financial resources to support multiple homes or summer-long vacations abroad, hire (and have affairs with) gardening staff, choose to be a single-income family (and not suffer financially for it), etc. Her profiles of individual women include throw-away details about fur coats, caterers, manicures, high-end spas, and other markers of incredibly privileged lives. Granted, social and economic privilege has never proven to shield individuals from emotional distress or relational impoverishment -- but I wish Krasnow has been more upfront about the demographic she was actually studying.
Okay, so those are the okay-ish things about Secret Lives. Things that limit the book's generalizability, but aren't particularly harmful if you take them for what they are. Several of the life stories Krasnow includes -- if you can grit your teeth and get passed her editorializing -- are actually really awesome. I particularly appreciated the one interview she did with a married couple, Phil and Pat, since it included both partners' voices. Phil and Pat were articulate in describing the ways in which sexism made Pat's career (in the tech industry, alongside her husband) more difficult, and how together they learned how to resist the external forces trying to push Pat out of the business world, or pit them against each other as competitors. Similarly, a couple of women -- interestingly enough the wives who used "we" most often -- described the way they re-negotiated their marriage arrangements in times of stress, to better share the tasks of child-rearing, or to open their marriage to other partners (more on the one swinger couple below). The women who used "we" were much more likely to describe equal partnerships in which they'd worked with their husbands to build a home life that supported both their individual needs and the nurturing of their relationship. Often through active re-negotiation of terms when the original assumptions or agreements had failed to serve one or both of them adequately.
So what are Krasnow's secrets for a successful (note: "successful" in Krasnow's world means long-lasting -- no marriage which ended in separation or divorce gets a place in the book, and cautionary tales of people who did divorce feature prominently) hetero marriage? And what ideas concerning gender and sexuality is she promulgating on the way by?
Secret #1: Heterosexual marriage is what every woman "needs" because it is "essential." So while I have no problem, per se with a study that focuses on one group of people (in this case wives) due to the questions being asked or simple logistics, I became increasingly suspicious of Krasnow's decision to focus exclusively on "wives" as the book went on. She begins with a chapter about "why marriage," as in why should she focus on describing successful marriage. "Who needs marriage?" She asks rhetorically, answering herself, "Women do, of this I'm convinced" (8). While Krasnow includes handful of throw-away lines to the effect that some marriages are abusive and should end, the actual message of the book is that marriage, virtually any marriage, is better than dating (and yes, if you're single you're assumed to be looking for a partner). The women who fail to keep their marriages intact in Secret Lives are seen as failures who gave up, who had unrealistic expectations, or who made a rash decision they now regret. "Better to stick with the first flawed union if you can; the second could be worse" (32) she concern-trolls over and over.
This understanding of marriage as something women "need," and the focus specifically on "wives" also speaks to the pervasive gender essentialism Krasnow offers up, in which women pursue marriage ... with men whom she depicts as emotionally unavailable and brutish (I'm serious, she and Caitlin Flanagan should just go to housekeeping together) and frankly not all that appealing. While she insists that marriage is the essential ingredient for ultimate life-long happiness, her own descriptions belie those claims. In other words, Krasnow should be approached as an unreliable narrator.
Secret #2: The work and compromise of making a marriage successful, that is to say life-long, falls to the wife. There's a telling scene early on in the book where Krasnow describes a point in her own marriage when she was a full-time mother with four children under the age of five and her husband was the full-time wage-earner. She describes her frustration at making breakfasts and lunches for the entire family while her husband sat at the breakfast table with the paper, ignoring the chaos around him, and then disappeared to work leaving her to clean the house and care for the kids. She describes calling her mother and announcing her intention to leave her husband -- because anything would be better than the status quo. Yet in the end, she and her husband remained together and things got better. (Sort of. Frankly, the descriptions Krasnow provides of her husband and their interactions are filled with a level of animosity that belies her protestations of marital bliss. I was really uncertain what we were supposed to make of her more personal anecdotes and their place in the story, since they seemed at odds with one another.) But anyway, she fills the book with similar narratives in which women are miserable with the status quo, yet consistently turn back to themselves as the source of the problem. I agree that to focus on assigning blame rather than solving the problem can be counterproductive, but I cringed at sentences like this: "Recently, Alice has been 'working on herself' and blaming Chris less, fueling a discovery that he isn't so bad after all" (66). Relentlessly, the exhausted mother of young children is counseled to stick it out, rather than speak up and say "This isn't working, can we figure out how to make this more equitable?" These marriages all take place in a vacuum where sex and gender politics on a wider scale don't exist, and it's simply women's lot to be the full-time parent with an unresponsive husband (who will start paying attention to her again once she stops wallowing in self-pity and bothers to put on tight jeans and sexy lipstick).
Lesson #3: Adultery is okay, as long as you keep it secret from your spouse, and having an open marriage is exactly the same as being an adulterer (except people with open marriages are mysteriously happier). So she has a really depressing chapter on women in relationships where either they or their husband maintain the marriage by cheating on one another -- and not talking about it. I realize everyone feels different about adultery, but I believe trust and honesty and fidelity are really important in any relationship, and if a marriage is going to involve multiple people in any way, it should be openly negotiated and agreed upon by all parties involved. Which is why the one swinger couple Krasnow profiles, I'd argue, seem so damn pleased with the way they've chosen to conduct their sexual lives. Yet Krasnow folds this couple into the chapter on adultery, and seems at a loss to explain why their extramarital relationships aren't causing anyone angst or despair.
Lesson #4: Youthfulness should be prized while young people are denigrated. Some people might see this as two separate issues, but I'm treating them together 'cause I think it's two aspects of the pernicious ageism that permeates our culture. Krasnow uncritically accepts that youthful looks are desirable (in women) and should be maintained (by women) in order to keep the interest of their husbands, etc. At the same time, she portrays young people -- I'm assuming any cohort younger than about age 35? -- as lazy gits who are unwilling or uninterested in putting energy into maintaining relationships. We've all grown up with the "divorce epidemic," I guess, and somehow technology has also made it easier to give up on people (it's unclear why, but Facebook and iPads feature as emblematic of ... whatever the problem is). I feel bad for her kids that she basically thinks they're uninterested or incapable of connecting. While this book is ostensibly a look at marriage in the "middle years" (read: after your kids have gone away to prestigious colleges), it's shot through with a heavy, heavy dose of judgement and unsolicited advice for younger folks who might think twice before marrying, not be interested in marrying a man, or who might try to re-negotiate the work/childcare arrangement with their spouse.
The entire book could really be reduced to a banner reading "Be Grateful You Have a Man, Any Man, Girls, Because Without One Life Isn't Worth Living." Which (and here's where my own personal bias might come in a teeny-weeny bit?) is a really weird message to try and send with a shit-ton of examples of hetero marriages that sound fairly dysfunctional and unhappy to me. Even when you discount the one or two that are actually out-right abusive? It's a fairly dismal bunch. Like I said, there are maybe three or four profiles in which the women speak with confidence about having negotiated a fairly equal arrangement with their spouse, and where the couple seems to be on the same page about their domestic life. But more often than not, there seems to be a lot of despair, resignation, rage, and yes, "secrets" that involve emotional and physical infidelity.
Seriously: I got to the end of this book and I was like, "If this is the world of straight marriage, I'm so glad I'm out." I am so thankful for all of the people I know who are married to other-sex partners who aren't actually acting out this sort of misery. Who are living lives of partnership and communication. Who don't assume all women "need" marriage, and who don't denigrate their own husbands by making snarky asides about how many hours per weekend they spend watching hockey.
I started out this post by observing that part of the reason I read books like this is to try and understand what people who think like this get out of their portrayal of women and men and marriage in this fashion. This book failed insofar as I still don't understand it. One could write a perfectly sane, thoughtful, book about the compromises and negotiations one makes in a long-term relationship. One that didn't hinge on making generalizations about how men and women operate and what they want out of relationships. But this is not that book.
P.S. I originally wrote this review prior to reading Samhita Mukhopadhyay's Outdated, though the review of that book went live on Tuesday. While I was reading Outdated I kept thinking of Secret Lives and how this book -- despite the fact it's not explicitly marketed as a dating advice manual -- fits so well into the paradigm of the hetero dating advice schlock Mukhopadhyay takes to task. Basically, if you're going to read Secret, keep Outdated close at hand as an antidote!
Cross-posted at The Pursuit of Harpyness.
"as if the world weren't full enough of history without inventing more." ~ granny weatherwax, wyrd sisters.
~oOo~
2012-02-09
2012-02-08
quick hit: clover adams online exhibition
Last week I wrote about my friend Natalie Dykstra's new biography of Clover Adams. Today, the Massachusetts Historical Society is celebrating the book with a launch party and exhibition opening. If you're not in the Boston area to visit the exhibition in person, you can check out our online exhibition which launched today!
I think our digital team has done an amazing job with the presentation of Clover's work, which will now be available to anyone with access to the Internet, wherever in the world they happen to be.
Archivists and historians are awesome. That is all.
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| pages from Clover's photograph albums |
Archivists and historians are awesome. That is all.
2012-02-07
new fic: in the tumultous privacy of storm
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| via |
Then I sat down to get Miles and Branson naked and, whoops, Maud and Rose wanted to play instead. So here you go. It's part two of what will be, by popular demand, at least a three-part series I've titled "Having Considered the Eyes of the World." The series title comes from this passage from Vita Sackville-West's All Passion Spent (Hogarth Press, 1931):
"I have considered the eyes of the world for so long that I think it is time that I had a little holiday from them. If one is not to please oneself in old age, when is one to please oneself?" (67)Because Maud Holland is basically my lesbian Lady Slade and I'd be stunned if that character weren't a direct inspiration for the Upstairs Downstairs character herself -- given their biographical similarities.
The fic:
Title: In the Tumultuous Privacy of StormSo there you have it. Just doing my part to bring F/F slash into the world.
Author: ElizaJane (erm, me)
Pairing: Maud Holland/Rose Buck
Rating: Explicit (AO3)
Length: 5,894 words
Tags: Hastings (South Essex), Long-distance, Phone Calls, Christmas, Snow Storms, Sex Toys, Family Drama, Idyllic English Cottages
Summary: Maud and Rose decide to spend the Christmas season of 1938 in a cottage in Hastings, South Essex.
Series: Having Considered the Eyes of the World
2012-02-05
me --> writing elsewhere [harpy fortnight]
| via |
Hanna and I launched a new blog, the corner of your eye. And I'm not going to take for granted that y'all rushed over to follow it. I realize I'm not the center of the universe. But if you haven't checked it out, and have no interest in adding another blog to your feeds, at least be sure to read Hanna's post about swings. I also have book reviews up there for Britannia's Glory and Inseparable (both about women + sex) and a couple of vintage films.
Over at The Pursuit of Harpyness I've been keeping steady with about two posts per week, the contents of which can be summarized as follows:
- Tuesday Teasers (links lists) gathered stuff I've been reading around the Internets every other week on Tuesday morning. I'm hoping to keep this going as a regular thing, though they're surprisingly time-consuming to put together. See 12/20, 1/03, 1/17 and 1/31.
- Let's Talk Images is a series I started because I had some visual materials to share and analyze. I've done three so far, in which I put up an image, make a few observations, and throw the comment thread open for further analysis. See the conversation on a health insurance ad, Boston Magazine's depiction of single women, and breastfeeding pictures on Tumblr.
- Blog for Choice 2012 (January 22) actually prompted two posts this year, a pre-post discussion and then the actual post.
- Hanna reviewed the new Sherlock Holmes: A Game of Shadows (at the corner) while at Harpyness I posed the Bechdel-esque question "how many women can one script sustain?"
- Also, will we ever get over asking "what do women want?" when it comes to sex (and porn)?
- I posted the audio of Terry Gross's interview with Jill Lepore about Margaret Sanger and the history of Planned Parenthood.
- Also the trailer for Jessica Valenti's new documentary film on the purity myth.
- What are your favorite holiday books and/or traditions?
- and I gave a signal boost to the Boston-area researcher working on dissertation research concerning queer folk and social interactions. If you read this blog regularly, you'll already have been following my participation in Holly's research.
That's about all, folks, bar the re-posts and all the regularly-scheduled signal boosts I give stuff over on Tumblr. Have as much fun as you wish, and leave the rest to me.
2012-02-04
signal boost: feminism & library science "unconference"
This came through my work inbox yesterday and I thought there might be interest among readers of this blog:
"Out of the Attic and Into the Stacks" : Feminism and LIS : the Unconference : March 9-11, 2012 in MilwaukeeSadly, I've got a previous commitment that week -- even if travel money was in the offing. So if anyone ends up going, I'd love a report! Shoot me an email and we could talk guest post(s) and/or link love.
A meeting of practitioners, scholars and aspirants in the field of library and information studies to explore feminism as theory, boundary, ecology, method,flavor, relationship, and epistemology -- among others.
Unconference will include an unposter session. Cost is $25.
Support provided by the Center for Information Policy Research at the School of Information Studies, University of Wisconsin-Milwaukee and the School of Information Studies. Co-sponsors include the Graduate School of Library and Information Science at UIUC University of Illinois Urbana-Champaign, and the School of Library and Information Science at University of Wisconsin - Madison.
Unconference begins with a reception on Friday evening and concludes Sunday at noon.
Room reservations available at the Hilton Milwaukee, which provides a shuttle service to the UWM campus. Light breakfast on Saturday and Sunday, lunch on Saturday provided.
Contact Joyce M. Latham (latham@uwm.edu) or Adriana McCleer (adriana.mccleer@gmail.com).
2012-02-03
in which I write letters: tattoos aren't body vandalism
Dear Ms. Khoury,
A friend of mine brought your opinion piece, "Why Put a Bumper Sticker on a Ferrari" (The Spectrum 2/2/2012), to my attention yesterday. I appreciate that you are trying to encourage women to celebrate their bodies as they are, without need for adornment. However, I'm troubled by the way you target women specifically, by your argument that tattoos are "vandalism" of the body, and by your assertion that "nothing [productive] comes out of getting a tattoo."
As a thirty-one-year old woman who made the decision to have my first ink done about a year ago, I'd like to share a very different perspective on body modification and meaning with you. While I don't believe that being a person with tattoos is in any way superior to being a person without them, I also don't believe that people (of any gender!) usually choose ink out of body insecurity or in a vacuum of meaning. On the contrary, you only have to follow the Tumblr blog Fuck Yeah, Tattoos! for a few days to witness the incredible breadth and depth of the individual stories behind peoples' tats. I'd encourage you to check some of those stories out. And while you're at it, I highly recommend the indie romantic comedy Tattoo: A Love Story (2002). It's cheesy, yes, but the best part about it are the sequences in which real people tell the stories behind their own tattoos. The person who recommended the film to me was a lesbian in a long-term relationship who got her first tattoo done in honor of her sixty-fifth birthday -- hardly someone performing for hetero male attention.
While we're talking about hetero male attention, I'd like to take a moment to note that I'm very troubled by your framing of body art as a particularly troublesome trend among "ladies." If the body is, as you write, "the temple [we've] been blessed with," doesn't that go for male-identified folks as much as it goes for female-identified ones? I would argue that your emphasis on women's beautiful form, specifically, while ignoring male bodies reinforces our cultural obsession with gender difference -- imagining that women's bodies are somehow public property (expected to be pleasing in the eyes of others) while men's bodies aren't a subject of social debate -- at least not where decoration is concerned.
As for myself, I tell the story behind my own tattoo on my blog. In the past year, I've also written a post about the evolution of my views on body modification. I share your concern over the fact that some peoples' body modification seems to come from a sense of self-hatred, insecurity, and the desire for conformity or performance for others, rather than self-knowledge, body acceptance, and self-expression. However, as I've grown older I've come to believe that we are only really in a position to understand the motivations of one person -- ourselves. Unless someone tells you the story behind their own physical appearance, you can't tell by looking at them whether their tattoo is the result of thoughtless whimsy or the manifestation of months -- or years -- deliberation.
I would argue that even those tats acquired in haste -- ill-considered, possibly regretted, maybe images or placements their owners feel are a little tacky now -- are part of a life story. I know a number of people who have tattoos they commissioned in their teen years which they are now re-working ten, fifteen, twenty years later to invest the ink with new and different meanings.
I'd encourage you to spend some time exploring the myriad reasons why people across time and space have found body modification meaningful. I certainly support your right to celebrate your body as it is, and to choose not to alter it with piercings, tattoos, or any other form of more permanent decoration. I believe that every human being is forever and always beautiful, regardless of how closely they adhere to any one culture's normative standards of beauty. I believe all human beings have worth, even when they feel (or are deemed by others to be) "ugly." And that includes people who've chosen tats to help them express, to themselves as well as others, who they are in this world we share.
Thanks for taking the time to hear another person's viewpoint.
Sincerely,
Anna
A friend of mine brought your opinion piece, "Why Put a Bumper Sticker on a Ferrari" (The Spectrum 2/2/2012), to my attention yesterday. I appreciate that you are trying to encourage women to celebrate their bodies as they are, without need for adornment. However, I'm troubled by the way you target women specifically, by your argument that tattoos are "vandalism" of the body, and by your assertion that "nothing [productive] comes out of getting a tattoo."
As a thirty-one-year old woman who made the decision to have my first ink done about a year ago, I'd like to share a very different perspective on body modification and meaning with you. While I don't believe that being a person with tattoos is in any way superior to being a person without them, I also don't believe that people (of any gender!) usually choose ink out of body insecurity or in a vacuum of meaning. On the contrary, you only have to follow the Tumblr blog Fuck Yeah, Tattoos! for a few days to witness the incredible breadth and depth of the individual stories behind peoples' tats. I'd encourage you to check some of those stories out. And while you're at it, I highly recommend the indie romantic comedy Tattoo: A Love Story (2002). It's cheesy, yes, but the best part about it are the sequences in which real people tell the stories behind their own tattoos. The person who recommended the film to me was a lesbian in a long-term relationship who got her first tattoo done in honor of her sixty-fifth birthday -- hardly someone performing for hetero male attention.
While we're talking about hetero male attention, I'd like to take a moment to note that I'm very troubled by your framing of body art as a particularly troublesome trend among "ladies." If the body is, as you write, "the temple [we've] been blessed with," doesn't that go for male-identified folks as much as it goes for female-identified ones? I would argue that your emphasis on women's beautiful form, specifically, while ignoring male bodies reinforces our cultural obsession with gender difference -- imagining that women's bodies are somehow public property (expected to be pleasing in the eyes of others) while men's bodies aren't a subject of social debate -- at least not where decoration is concerned.
As for myself, I tell the story behind my own tattoo on my blog. In the past year, I've also written a post about the evolution of my views on body modification. I share your concern over the fact that some peoples' body modification seems to come from a sense of self-hatred, insecurity, and the desire for conformity or performance for others, rather than self-knowledge, body acceptance, and self-expression. However, as I've grown older I've come to believe that we are only really in a position to understand the motivations of one person -- ourselves. Unless someone tells you the story behind their own physical appearance, you can't tell by looking at them whether their tattoo is the result of thoughtless whimsy or the manifestation of months -- or years -- deliberation.
![]() |
| for example go read the story behind this tattoo |
I would argue that even those tats acquired in haste -- ill-considered, possibly regretted, maybe images or placements their owners feel are a little tacky now -- are part of a life story. I know a number of people who have tattoos they commissioned in their teen years which they are now re-working ten, fifteen, twenty years later to invest the ink with new and different meanings.
I'd encourage you to spend some time exploring the myriad reasons why people across time and space have found body modification meaningful. I certainly support your right to celebrate your body as it is, and to choose not to alter it with piercings, tattoos, or any other form of more permanent decoration. I believe that every human being is forever and always beautiful, regardless of how closely they adhere to any one culture's normative standards of beauty. I believe all human beings have worth, even when they feel (or are deemed by others to be) "ugly." And that includes people who've chosen tats to help them express, to themselves as well as others, who they are in this world we share.
Thanks for taking the time to hear another person's viewpoint.
Sincerely,
Anna
2012-02-02
movienotes: orgasm, inc
During the winter holiday, I finally had a chance to screen Liz Canner's Orgasm, Inc., a documentary which examines the development of "female sexual dysfunction" (FSD) as a disease in need of medical intervention, and the pharmacological and surgical remedies being marketed to the public in often unethical ways.
The full documentary is available via Netflix streaming.
I thought Canner's documentary was engaging, thoroughly researched, and managed to be harshly critical of unethical medical practices while not dismissing women's desire for sexual satisfaction. I realize that the issue of medical intervention for women unsatisfied with their sexual response is a highly contentious issue within feminist circles, and I want to say up-front that I am not against medication or surgery per se if it is proven to be effective, responsibly marketed and prescribed, and offered not as a magical fix but as one of a wide array of possible solutions.
The problem with medication and surgery to heighten women's sexual pleasure is that sexual response is complicated and variable (in human beings generally, not just women) and the medical "fixes" so far on offer are high on risk while potential benefits remain unknown. In addition, patients are often seeking medical treatment for something they perceive as broken or wrong with their bodies which, in fact, are well within the range of human variation -- and the doctors treating these patients are (I would argue unethically) using medicine to treat a non-disease. For example, one woman whom Canner follows in the documentary signs up to be part of a clinical trial for an electrical implant in her spine that is supposed to help her achieve orgasm. Let me be clear: invasive spinal surgery.* The potential side-effects and risks are numerous. The woman is physically healthy, not suffering from any sort of nerve or spinal column damage that would cause a loss of feeling in her genitals. In fact, Canner interviews the woman and discovers that she is perfectly capable of reaching orgasm just not during intercourse. Which is a "dysfunction" that roughly 70% of people with clits share. In other words, this woman was accepted as a participant in a clinical trial to a physical deficiency that wasn't actually there.
Canner's perspective as a film-maker is clearly sympathetic to the anti-medicalization camp, whether it's authors skeptical of Big Pharma advertising or activists fighting against the over-medicalization of women's sexuality and elective genital surgery. Her visual technique highlights the production not only of the film but of the medical industry's media message concerning women's sexuality. The company spokespeople, medical talking head "experts" pushing pharmacological and surgical solutions, and other advocates of medical intervention are consistently shown off-balance, evasive, unable to answer critical questions, and glib about women's "choices," even as they admit to uncertain outcomes. In contrast, the sex educators and activists who advocate a more comprehensive approach to sexual pleasure -- one that takes into account emotional well-being, trauma history, relationship health, and sexual knowledge -- come across as trustworthy, knowledgeable and comfortable with the variety of human sexual experience. As the founder of Good Vibrations observes in an interview, many of the women who visit Good Vibes store are so unfamiliar with their own bodies that they can't locate their own clitoris. "Is a drug going to help them?" She asks rhetorically, "Maybe if it has a sex map of the clitoris on the box!" Before we resort to medical intervention -- particularly unproven medical intervention -- Canner's film argues, we might do better to explore non-medical ways of improving our sexual well-being.
On the downside, I feel like this film in some ways perpetuated the widespread belief that Women's Sexuality Is Confusing, in contrast to men's sexuality which can be reduced to erection/orgasm. This framing is somewhat inevitable given that the drug companies developing medical solutions to "female sexual dysfunction" have Viagra as their model for success. And Viagra is marketable precisely because our culture views the ability to reach and maintain an erection as the be-all and end-all of satisfying men's sexual desire. In contrast to this measurable goal of sustaining erections, women's bodies have culturally legible markers of sexual satisfaction. When it comes to women we're going for the much muddier category of "higher sexual satisfaction" rather than "stronger pelvic contractions" or "more vaginal secretions" or "engorged labia." The research surrounding sexual satisfaction is highly subjective, recalling the medical discourse around what is to be considered "normal looking" genitalia. The so-called experts Canner interviews are evasive about their standards of measurement, and when pushed often fall back on the language of proprietary trade secrets. In other words, women are being told they're "normal" or "not normal" based on tests developed by an industry invested in providing (expensive) treatment for women who fall outside the "normal" range.
I would also have been interested in information about the population of women seeking treatment for "female sexual dysfunction." While several individual women are profiled, there is little discussion of the demographic as a whole. I found myself wondering, as I watched, if one would find differences based on age, sexual orientation and/or sexual relationships, and the other usual markers such as race/ethnicity and class background. Obviously the people able to afford medical treatment for sexual difficulties are likely to be economically secure-to-well-off. But I wonder if women in same-sex relationships, for example, are less likely to seek medical solutions to perceived abnormality, then women in heterosexual relationships -- and if so, what we could discover by exploring that difference. I was also disappointed in the invisibility of trans* women from the narrative, though I understand that this adds a whole different level of complication to the story of women's sexuality. At one point, when an ob/gyn is interviewed about elective genital surgery she says, "I can't think of any rational reason for it," a statement which either puts gender confirmation surgery in the non-elective/medically necessary category or dismisses trans* women's particular needs as "irrational." Likewise, I feel like the discussion of pharmacological treatment might have benefited from a discussion of hormone treatment for trans* folks and their experience of evolving desires as they transition. It seemed, from the documentary itself, that the doctors and companies involved in treating women's sexual dissatisfaction were highly un-interested in gender, sex, or sexual variance of any kind -- and therefore would probably resist learning from the trans* community. On the other hand, I imagine trans* folks might represent a potential market for the medical entrepreneurs, and I found myself wondering if there was any overlap in treatment of women diagnosed with FSD and trans* people. And, if so, what that overlap looks like.
Overall, at a brief 78 minutes I found this a highly watchable documentary that would be a really good jumping-off point for further discussion in a classroom, discussion group, or other discursive setting.
The full documentary is available via Netflix streaming.
I thought Canner's documentary was engaging, thoroughly researched, and managed to be harshly critical of unethical medical practices while not dismissing women's desire for sexual satisfaction. I realize that the issue of medical intervention for women unsatisfied with their sexual response is a highly contentious issue within feminist circles, and I want to say up-front that I am not against medication or surgery per se if it is proven to be effective, responsibly marketed and prescribed, and offered not as a magical fix but as one of a wide array of possible solutions.
The problem with medication and surgery to heighten women's sexual pleasure is that sexual response is complicated and variable (in human beings generally, not just women) and the medical "fixes" so far on offer are high on risk while potential benefits remain unknown. In addition, patients are often seeking medical treatment for something they perceive as broken or wrong with their bodies which, in fact, are well within the range of human variation -- and the doctors treating these patients are (I would argue unethically) using medicine to treat a non-disease. For example, one woman whom Canner follows in the documentary signs up to be part of a clinical trial for an electrical implant in her spine that is supposed to help her achieve orgasm. Let me be clear: invasive spinal surgery.* The potential side-effects and risks are numerous. The woman is physically healthy, not suffering from any sort of nerve or spinal column damage that would cause a loss of feeling in her genitals. In fact, Canner interviews the woman and discovers that she is perfectly capable of reaching orgasm just not during intercourse. Which is a "dysfunction" that roughly 70% of people with clits share. In other words, this woman was accepted as a participant in a clinical trial to a physical deficiency that wasn't actually there.
Canner's perspective as a film-maker is clearly sympathetic to the anti-medicalization camp, whether it's authors skeptical of Big Pharma advertising or activists fighting against the over-medicalization of women's sexuality and elective genital surgery. Her visual technique highlights the production not only of the film but of the medical industry's media message concerning women's sexuality. The company spokespeople, medical talking head "experts" pushing pharmacological and surgical solutions, and other advocates of medical intervention are consistently shown off-balance, evasive, unable to answer critical questions, and glib about women's "choices," even as they admit to uncertain outcomes. In contrast, the sex educators and activists who advocate a more comprehensive approach to sexual pleasure -- one that takes into account emotional well-being, trauma history, relationship health, and sexual knowledge -- come across as trustworthy, knowledgeable and comfortable with the variety of human sexual experience. As the founder of Good Vibrations observes in an interview, many of the women who visit Good Vibes store are so unfamiliar with their own bodies that they can't locate their own clitoris. "Is a drug going to help them?" She asks rhetorically, "Maybe if it has a sex map of the clitoris on the box!" Before we resort to medical intervention -- particularly unproven medical intervention -- Canner's film argues, we might do better to explore non-medical ways of improving our sexual well-being.
On the downside, I feel like this film in some ways perpetuated the widespread belief that Women's Sexuality Is Confusing, in contrast to men's sexuality which can be reduced to erection/orgasm. This framing is somewhat inevitable given that the drug companies developing medical solutions to "female sexual dysfunction" have Viagra as their model for success. And Viagra is marketable precisely because our culture views the ability to reach and maintain an erection as the be-all and end-all of satisfying men's sexual desire. In contrast to this measurable goal of sustaining erections, women's bodies have culturally legible markers of sexual satisfaction. When it comes to women we're going for the much muddier category of "higher sexual satisfaction" rather than "stronger pelvic contractions" or "more vaginal secretions" or "engorged labia." The research surrounding sexual satisfaction is highly subjective, recalling the medical discourse around what is to be considered "normal looking" genitalia. The so-called experts Canner interviews are evasive about their standards of measurement, and when pushed often fall back on the language of proprietary trade secrets. In other words, women are being told they're "normal" or "not normal" based on tests developed by an industry invested in providing (expensive) treatment for women who fall outside the "normal" range.
I would also have been interested in information about the population of women seeking treatment for "female sexual dysfunction." While several individual women are profiled, there is little discussion of the demographic as a whole. I found myself wondering, as I watched, if one would find differences based on age, sexual orientation and/or sexual relationships, and the other usual markers such as race/ethnicity and class background. Obviously the people able to afford medical treatment for sexual difficulties are likely to be economically secure-to-well-off. But I wonder if women in same-sex relationships, for example, are less likely to seek medical solutions to perceived abnormality, then women in heterosexual relationships -- and if so, what we could discover by exploring that difference. I was also disappointed in the invisibility of trans* women from the narrative, though I understand that this adds a whole different level of complication to the story of women's sexuality. At one point, when an ob/gyn is interviewed about elective genital surgery she says, "I can't think of any rational reason for it," a statement which either puts gender confirmation surgery in the non-elective/medically necessary category or dismisses trans* women's particular needs as "irrational." Likewise, I feel like the discussion of pharmacological treatment might have benefited from a discussion of hormone treatment for trans* folks and their experience of evolving desires as they transition. It seemed, from the documentary itself, that the doctors and companies involved in treating women's sexual dissatisfaction were highly un-interested in gender, sex, or sexual variance of any kind -- and therefore would probably resist learning from the trans* community. On the other hand, I imagine trans* folks might represent a potential market for the medical entrepreneurs, and I found myself wondering if there was any overlap in treatment of women diagnosed with FSD and trans* people. And, if so, what that overlap looks like.
Overall, at a brief 78 minutes I found this a highly watchable documentary that would be a really good jumping-off point for further discussion in a classroom, discussion group, or other discursive setting.
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